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Eames Lounge Chair
The Eames Lounge Chair and ottoman, correctly titled Eames Lounge (670) and Ottoman (671), were released in 1956 after years of development by designers Charles and Ray Eames for the Herman Miller furniture company.
The first Eames lounge chair and ottoman was made as a gift for Billy Wilder, the director of “Some Like It Hot,” “Irma La Douce,” and “Sunset Blvd.” The heritage of the chair goes back to the molded plywood chairs pioneered by the Eameses in the 1940s. Charles Eames said his goal for the chair was that it be “a special refuge from the strains of modern living
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Apartment Therapy Eames Chair
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Taking Pleasure SeriouslyThe Films of Charles and Ray Eames curated by Christopher Zimmerman and Pascal Richard Monday, June 30, 2014 Point Center for Contemporary Art Lefkosia, Cyprus
Among the most important designers of the 20th century, Charles and Ray Eames made over 100 short films between 1950 and 1982. The Eames used film as an integral part of their creative process. Their films served as something of essays and laboratories out of which their design and exhibition work developed. This program explores the unparalleled breadth of subject matter, beauty, pedagogical effectiveness, and aesthetic and technical means found throughout the body of films created by these two modernist giants.
The Eames lounge chair
The Eames Lounge Chair and ottoman, correctly titled Eames Lounge (670) and Ottoman (671), were released in 1956 after years of development by designers Charles and Ray Eames for the Herman Miller furniture company.
It was the first chair the Eames designed for a high-end market. These furnishings are made of molded plywood and leather. Examples of these furnishings are part of the permanent collection of New York s Museum of Modern Art.
The chair is composed of three curved plywood shells.
In modern production the shells are made up of seven thin layers of wood veneer glued together and shaped under heat and pressure. This differentiates the newer chairs from the “original” (vintage) chairs which used Brazilian rosewood veneers and were constructed of five layers of plywood. Also differentiating the very earliest sets from newer sets were rubber spacers between the aluminum spines
and the wood panels first used in the earliest production models and then hard plastic washers used in later versions.
In the earlier sets, the zipper around the
cushions may have been brown or black as well,
and in newer sets the zippers are black.
The shells and the seat cushions are essentially
the same shape: composed of two curved
forms interlocking to form a solid mass.
The chair back and headrest are identical in proportion
, as are the seat and the Ottoman.
